Don't swag your way through 2010

Don’t SWAG your way through 2010

by Bill

Don’t rely on stick­ing your fin­ger in the wind this year to fig­ure what you want to have achieved come Decem­ber 31st, 2010.

Back in the day, one of the favored ways for us to plan was to lick their index fin­ger, and stick it in the wind… it was the way most of us did it , in fact we did it because we didn’t know any better.

Sure, some of us kept data bases of every con­ceiv­able shred of infor­ma­tion from sales, inven­tory to who bought what. Well…that did noth­ing more than let us con­tinue to live out the fan­tasy of “doing something”.

As I’ve harped all of 2009 things are dif­fer­ent now and we no longer have to move ahead with a bag over our heads, hop­ing we don’t run into a wall or fall down the stairs. We don’t have to use the SWAG method (Sci­en­tific Wild Ass Guess) of plan­ning our busi­ness year.

Tear off the blindfold

So pull your hand out of the sky and dry your fin­ger off and look at the com­ing year in the same way you would look at your buy­ers. We’ve talked a lot about ideal buy­ers and the impor­tance of hav­ing pro­files of those fine folks who can’t live with­out our stuff.

But you know as well as I do that ideal buy­ers can’t buy your stuff if your stuff isn’t around for them to buy…as in if you don’t show up at the place they are look­ing for you. Here’s a suggestion.…profile your ideal show or sales venue in the same way you do for buy­ers. Why? Again for the same rea­son you would pro­file your ideal buyer…so you can eas­ily rec­og­nize her when she shows up.

And, yes I know for art fair artists you can’t just say “I’m going to do the Great­est Artist in The World Show in New South Wher­ever”, because a bunch of folks you have no con­trol over will decide for you. Here’s the deal tho… know­ing what your ideal art fair looks like will help you avoid the one step removed from a flea mar­ket type shows. It won’t guar­an­tee it but it will help.

The same is true for any other sales venue as in gal­leries or on-line. Hav­ing a pro­file will help you sort out the best gal­leries. Also, if you have good pro­files you can take the SWAG out of your pro­duc­tion and so you’ll have the best inven­tory avail­able for the buy­ers at any given venue. Basi­cally, schlepp fac­tor will be reduced by not hav­ing to sweat over drag­ging stuff that will likely col­lect dust.

Don’t chew off more than you can do or why just goals don’t work.…

Remem­ber the baby step approach? Instead of set­ting lofty goals like “I’m going to sell $50,000 at each venue”, you might instead bite off some more digestible morsels by brain­storm­ing a list of what you’d like to have accom­plished Decem­ber 31, 1010. Then don’t just start at the top of list of 200 things, instead start whit­tling the list down until you get to no more than six.

Now take those six and describe how accom­plish­ing them by Decem­ber 31,2010 would look, where would you be both as a busi­ness per­son and an artist. Once, you are happy with your descrip­tions then start describ­ing the steps it would take to get where each objec­tive will take you.

The next part is hard at least it is for me, see I have a ten­dency to say cool let’s get going!! I learned the hard way, that this leads to extreme bouts of dizzi­ness brought about by tack­ling every­thing at once…don’t do that. Instead, see if you can spread them out over the year. That’s why three to six months works so well.

So…sit down and sketch out your year and sched­ule each two or four month block accord­ing to the objec­tives you’ve come up with. The sched­ule doesn’t  have to be lin­ear as in Jan­u­ary to Feb­ru­ary you’ll only do “X”, there can be and likely will be an over­lap just try to make the over­laps gradual.

Finally, within each objec­tive iden­tify the steps or tasks needed to check that objec­tive off and what it needs to look like when it is checked off.

That’s it…there are tools avail­able to help you espe­cially visual tools like Mindmaps which I’ll cover in another post.

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