Share

 

Some­times it is good to have a for­mula to help remem­ber what you need to do espe­cially when you are start­ing some­thing unfa­mil­iar. Over the years a sim­ple for­mula evolved to help mea­sure the effec­tive­ness of mar­ket­ing efforts and it is still effec­tive now. The for­mula sim­pli­fies a lot of the con­cepts I’ve cov­ered here by sift­ing out the extra­ne­ous and leav­ing only the meat.

Now, of course to really use this for­mula you’ll need to have just a small amount of work already done, like know­ing your buy­ers, your mar­ket, and what you are about. Once have a rea­son­able han­dle on these you can use the for­mula to guide and eval­u­ate your mar­ket­ing progress. The for­mula is:

A=attention
I=interest
D=desire
A=action

Atten­tion

This part of the for­mula is often where you’ll spend the most time and effort, because it involves doing what you need to do to get the atten­tion of your poten­tial buy­ers. Back in the pre– inter­net days of Madi­son Ave. this step took a lot of time, there were few if any tools avail­able that could pro­duce the level fine focus we have today. This lack of both tools and insight pro­duced a mar­ket­ing strat­egy model more akin to com­mer­cial fish­ing, cast­ing a wide net with hopes of catch­ing the right fish.

Today this part of the process still takes time and if you’ve done your home work and know your ideal buy­ers you won’t be cast­ing a net, you will have at least a gen­er­ally dis­cernible idea of who might want your stuff. Armed with the slowly clear­ing image of poten­tial buy­ers you’ll be able to set up bea­cons to light the way to you and your stuff. Turn­ing each of by your sell­ing venues into bright flash­ing guides that both send your mes­sage and guide the buy­ers who are look­ing for you.

Each of your venues should pass muster with at least the fol­low­ing ele­ments which for artists are often visual:

Be bold

In order to gain atten­tion, the intrin­sic or core value of you and your work has to be extremely appar­ent. Bold and strik­ing imagery goes a long way in com­mu­ni­cat­ing what you and your work stands for. If your mes­sage about your work stresses under­stated sim­plic­ity then be boldly under­stated and sim­ple, use sim­ple pho­tographs of your work, design your booth to reflect that sim­plic­ity, but in a bold way in the way a Zen garden’s beauty is sub­tly and sim­ply beautiful.

Make sure that this bold­ness car­ries through in every­thing that you send out, every mes­sage, and every form the mes­sage is con­tained in. Blink­ing lights on your web site hardly say ele­gant sim­plic­ity, on the other hand a rel­a­tively bare site doesn’t say much either. The secret is in design­ing all the con­tain­ers that hold and carry your mes­sage in a way that imme­di­ately con­veys the essence of that message.

Images aren’t the only tools in the box, you can use typog­ra­phy and phras­ing to con­vey your mes­sage. You can also use color and tex­ture to con­vey every­thing from sim­plic­ity to extreme funkiness.

There are also chan­nels you can use to send your mes­sage through, a Face­book page, Twit­ter account and blog can extend your reach to the right peo­ple eas­ier and quicker than ever now. Designed to match the bold­ness of your mes­sage each can be bea­cons to help folks find you.

Inter­est

Once you get the atten­tion of those buy­ers who love ele­gant and under­stated sim­plic­ity, you have to cap­ture their inter­est, you may not have enough of their atten­tion yet for them to see and res­onate with your mes­sage and style of sim­plic­ity. Again, the right amount of bold­ness will make sure you cap­ture and hold their interest.

At this point, those attracted by your bea­con are inter­ested in how your inter­pre­ta­tion of under­stated sim­plic­ity matches with their needs. Use the infor­ma­tion you know about your favored buy­ers to empha­size how your inter­pre­ta­tion is exactly what they are look­ing for. In doing so, you are focus­ing on them which in turn increases the like­li­hood of them see­ing whether your inter­pre­ta­tion suites them best.

Con­sis­tency

Your mes­sage needs to be con­sis­tent through­out every part of a poten­tial buyer’s jour­ney to deci­sion. Con­sis­tency holds their inter­est guid­ing them eas­ily through  your mes­sage uni­fy­ing it into a whole that increases the poten­tial of their con­nect­ing to your style.

Pho­tographs or even sketches of your work fit into and enhance an under­stat­edly sim­ple life style. More often than not, poten­tial buy­ers will need to see how oth­ers hold­ing sim­i­lar val­ues use your work. So, along with pho­tographs of your work by itself you should also have ones show­ing it in use.

Videos show­ing a buyer using your work along with a dia­logue describ­ing how it works so well for them, will go a long way in help­ing poten­tial buy­ers iden­tify with you and your work. Videos work best on the web, how­ever, given recent tech­nol­ogy changes video can also be used in many other venues.

You can also use hang tags that carry your mes­sage and help deepen their aware­ness of the depth of your style.

Next week we’ll check in on the last two let­ters Desire and Action.

{ 0 comments }

Surviving the Buyer’s Market: my first wholesale show

Featured Artist by kristen

So, as I was look­ing through Arts/Craft Show appli­ca­tion dead­lines online, I found the appli­ca­tion for the “Buyer’s Mar­ket of Amer­i­can Craft” (BMAC) at the Philadel­phia Con­ven­tion Center.

Read on for more good stuff...→ Comments
soccer moms artists and Etsy

Why you don’t need bargain hunters

let's talk by Bill

The cur­rent rebel­lion over under­pric­ing soc­cer moms on Etsy has got­ten a lot of other artists’ undies in a bun­dle. There are few options for artists to sell their work on-line so the sites that offer all the things that make us cre­atives shud­der like credit card pro­cess­ing, store front design etc., are very enticing.

Read on for more good stuff...→ Comments
how artist can save the world

Save the Artist Save the World

Marketing Monday by Bill

cre­at­ing art is a rev­o­lu­tion­ary act it changes things, it changes the way we see the world and more impor­tantly effects the way those who see and get our work also see the world.
cre­at­ing art is not about fol­low­ing direc­tions, it’s not about “doing the right thing” , it’s not about fit­ting in and it’s not about pre­cisely emu­lat­ing a style.

Read on for more good stuff...→ Comments
smithsonian freer sackler exhibit

“In the Realm of the Buddha” opens at Freer & Sackler

Shows, Exhibits & Events by Bill

The Smithsonian’s Freer and Sack­ler gal­leries will offer a series of free pub­lic events on the open­ing week­end of “In the Realm of the Bud­dha,” a cel­e­bra­tion of the sacred arts of Tibetan Bud­dhism, on view March 13 through July 18.

Read on for more good stuff...→ Comments
Judit Fox at fiftycrows

Judith Fox at FiftyCrows Gallery

Shows, Exhibits & Events by Bill

You are invited Thurs­day, March 4th for an open­ing and book sign­ing with Judith Fox. We are excited to exhibit two bod­ies of work by Fox: “I Still Do: Lov­ing and Liv­ing with Alzheimer’s”, a pow­er­ful, poetic and uni­ver­sal por­trayal of aging, lov­ing, humor, mor­tal­ity and hope, also the sub­ject of a touch­ing pho­to­graphic mem­oir pub­lished by powerHouse.

Read on for more good stuff...→ Comments
technology basics for artists

Getting started on the right foot: part IV

Marketing Monday by Bill

As in every­thing we have cov­ered so far, revisit your busi­ness goals because the extent of those goals will deter­mine what you do at this stage. Be hon­est and don’t expect your self to reach rock star lev­els with out the invest­ment of time and skill build­ing. Also, don’t con­sider your­self a fail­ure if you decide to limit your growth to your own pace, there’s not­ing wrong know­ing and prac­tic­ing what you know works best for you.

Remem­ber two things:

* Wait­ing for per­fec­tion will just keep you wait­ing;
* The best strat­egy as set forth by Seth Godin is to “fire, aim, aim” or more pre­cisely don’t expect to hit a bulls eye your first time around actu­ally, it may take sev­eral times mak­ing adjust­ments before you hit your mark.

Read on for more good stuff...→ Comments
ted talks for artists

Leading your followers, sliced bread, whales, Twitter,and history

let's talk by Bill

Note: This was orig­i­nally posted Tues­day 2/9/10 but taken down due to code con­flicts that were effect­ing the site’s per­for­mance. I’ve fixed the bugs so these out­stand­ing TED talks could be avail­able to you.

The fol­low­ing TED talks occurred last year, they talk mostly about change and the shift we are all feel­ing. More impor­tantly they also offer insights into the depth of the shift and pos­si­bly if you lis­ten care­fully glimpses into what our pos­si­bil­i­ties can be. We are lucky to be liv­ing in the time because his­tory is being made to the scale of sig­nif­i­cance as the print­ing press, elec­tric­ity and the tele­phone. Each speaker pro­vides a dif­fer­ent point of view from a dif­fer­ent van­tage point of the same thing.

Seth Godin

Read on for more good stuff...→ Comments

Etsy, cheap art and the issue of change

The issue of cheap art, Etsy  and change let's talk by Bill

The cul­ture of cheap took hold a long time ago and we are now see­ing the extreme results. Ellen Rup­pel Shell’s excel­lent book “Cheap: The High Cost of Dis­count Cul­ture” really cov­ers the issue. Also Dan Ariely’s book “Pre­dictably Irra­tional” pro­vides new insights through research he and oth­ers con­ducted at MIT and elsewhere.

The cul­ture of cheap took hold a long time ago and we are now see­ing the extreme results. Ellen Rup­pel Shell’s excel­lent book “Cheap: The High Cost of Dis­count Cul­ture” really cov­ers the issue. Also Dan Ariely’s book “Pre­dictably Irra­tional” pro­vides new insights through research he and oth­ers con­ducted at MIT and elsewhere.

Read on for more good stuff...→ Comments